SHON KIM

SHON KIM majored BA in Law at Hanyang University, BFA in Film & Video at School of the Art Institute of Chicago, MFA in Experimental Animation at California Institute of the Arts, and Ph.D in Animation Theory at Chung-Ang University. SHON KIM works in LA.

Mary Fitzgerald

Mary Fitzgerald is a dance artist whose creative practice includes choreography, socially engaged arts and more dance film. She was a member of Kei Takei's Moving Earth for nearly ten years, performing internationally. Mary also has danced with A Ludwig Dance Theatre, Fred Darsow Dance, and several independent artists. Her projects have been presented regionally, nationally and abroad, and have received support from the Japan Foundation, National Endowment for the Arts, Arizona Commission on the Arts, Institute for Humanities Research and Herberger Institute for Design and the Arts. As an associate professor at Arizona State University, Mary has collaborated on numerous award-winning community projects, partnering with youth and older adults throughout Phoenix. She received the Phoenix Mayor’s Arts Award/Dance Artist in 2018. 

Omari ‘MOTION’ Carter

Since 2011 OMARI CARTER has been practicing the arts of screendance and developing his practice through the collaboration with other interdisciplinary artists. His work revolves around combining hip hop dance influences with contemporary choreographic processes to result in the purposeful orchestration of: the movement of the camera, the movement in front of the camera and the movement of the edit; bringing fresh new screendance work to fruition. 

Omari is currently studying at the world's first MA in Screendance at London Contemporary Dance School and continues to workshop, lecture and produce with screendance production company, The Motion Dance Collective

PHILIPPE SAIRE

PHILIPPE SAIRE was born in Algeria in 1957 where he spent the first five years of his life. After moving to Lausanne, he trained in contemporary dance.

From its foundation in 1986, Compagnie Philippe Saire has created some thirty shows, with more than 1,400 performances in 200 cities across Europe, Africa, Asia, the Middle East and America. Cie Philippe Saire is in permanent residency at Théâtre Sévelin 36, Lausanne.

 In 1998, Philippe Saire was awarded the Grand Prix by the Fondation Vaudoise pour la Promotion et les Créations Artistiques. That same year, he won the Prix d’auteur of Conseil général de Seine-Saint-Denis (France), at the Sixth International Choreographic Meeting, for his piece Étude sur la Légèreté. And in 2004, ProTanz Zurich awarded him the Swiss dance and choreography prize.

BRIAN HARRIS/ Nancy havlik

BRIAN HARRIS is a multi-discipline artist from Washington, DC, whose creative explorations have included visual art, film, music and dance. Working in collaboration with choreographers he has composed and performed original music, created video projections and installations, and directed and shot modern dance performances reimagined for the camera. His previous films have been selected for festivals in Bulgaria, Canada, Germany, Ireland, Italy, and the USA. 

NANCY HAVLIK has directed and choreographed for the past 25 years. She formed Nancy Havlik Dance Performance Group as a non-profit in 1989 to explore her own choreographic ideas with a small group of dancers and musicians in Washington, DC. Her choreography has been performed extensively in the Washington, DC area at venues including Dance Place and the Joyce Soho in New York City. For over 20 years Nancy has taught interactive creative movement workshops for older adults through Arts for the Aging (AFTA).

JULIANA LOBO

JULIANA LOBO (Brazil) has a BA in Design, earned her Master's degree in Alternative Cinema from the International School of Film and Television of Cuba. Throughout her work as an art director, her recent projects include the feature-films Todos os Mortos, directed by Caetano Gotardo and Marco Dutra (in production), Desterro, by Maria Clara Escobar, and Albatroz, by Daniel Augusto (both in postproduction). Her praxis in cinema was developed through her work in the art department of different arthouse projects, recognised by international festivals, such as Joaquim, by Marcelo Gomes, The Second Mother, by Anna Muylaert, and Sandra Kogut's Campo Grande. Her first short Coppelia premiered in Havana Film Festival in 2018. 

LIZZI KEW ROSS/ Roswitha Chesher

LIZZI KEW ROSS is a choreographer and artistic director of LKR & Co, a dance music company making collaborative work for the theatre and site -specific environments: works include Without Warningat Old Vic Tunnels, Reading with Bach for libraries, Edgelands for art galleries and Stations for cathedrals & galleries.

ROSWITHA CHESHER originally trained as a dancer & choreographer at Trinity Laban. Collaborating with various choreographers including Rosemary Lee, Luca Silvestrini, Sarah Blanc, she has created many DanceOnScreen and installation pieces and her award winning work has been screened both nationally and internationally, at film festivals and various venues.

FU LE, Adrien Gontier

Fu LE is a French award winner filmmaker and choreographer in the Tetrapode dance company. He graduated in sculpture at the Art Crafts National School in Paris, he then trained in physical theater and in contemporary dance in South America and Europe. Herecently pursued his research in Taiwan, questioning social issues linked with urbanisation. He is now evolving on the edge between dance, sculpture and video; and connects visual arts to the intimacy of bodily sensations.

STEPHEN FEATHERSTONE

STEPHEN FEATHERSTONE is a filmmaker and animator based in the UK. His practice merges his background in Fine Art and his experience in the animation industry to develop an approach to filmmaking that allows him to work independently, and to use moving image media as means of personal expression, while making films that retain a clear relationship to mainstream cinema. He works on commissions, in collaboration with others, and on personal projects. Recent films include a series of live action productions with Nunkie Theatre based on the ghost stories of M. R. James and a dance film, utilizing live action and animation techniques, commissioned by Stopgap Dance Company.

LOTTIE KINGSLAKE

LOTTIE KINGSLAKE is 2D Animator/Animation Director based in South London, an animation graduate of the Royal College of Art with a painterly sensibility and a keen interest in rhythm.

She uses mainly a combination of Photoshop and After Effects to create textural 2D animations, although but also enjoys animating in TV Paint, Flash and Cel-Action.

Lottie is always interested in getting involved in exciting projects so please get in contact if you think we can work together.

ANABELLA LENZU

Originally from Argentina, ANABELLA LENZU is a dancer, choreographer and teacher with over 25 years experience working in Argentina, Chile, Italy and the USA. Her choreography has been commissioned all over the world, for opera, TV programmes, theatre productions and by many dance companies. Lenzu has written for various dance and arts magazines, and published her first book in 2013, entitled Unveiling Motion and Emotion.

JOoWON SONG

JOOWON SONG is a professional contemporary dance choreographer and dance film director based in Seoul, South Korea. She focuses on the historical places in the urban city using contemporary dance. Using the body movement, she asks life questions through dance film. Since 2013, she started her research for the Pung Jeong. Gak(風精.刻) series, a site-specific dance film and performance project to revive the city space and produced film episodes and performances so far. Song received the Best Piece Award for the Seoul Dance Film Festival (2017), and Audience Jury Award in Cinema at the 18th Seoul International New Media Festival (2018). Her films were recently screened at the Dance and Media Japan International Dance Film Festival 2019 and will be screened at the Jumping Frames Hong Kong in 2019.